Garrett Lynch (IRL) is an artist, lecturer, curator and theorist. His work deals with networks (in their most open sense) within an artistic context; the spaces between artist, artworks and audience as a means, site and context for artistic initiation, creation and discourse. Recently most active in live performance Garrett’s networked practice spans online art, installation, performance and writing.
Post-graduate of the École Nationale Supérieure des Arts Décoratifs (EnsAD), Paris, France Garrett is currently Senior Lecturer in New Media and Award Leader for MA Moving Image at Cardiff School of Creative and Cultural Industries, Wales. He has previously taught on several new media courses throughout England. For more information about Garrett’s work please refer to this interview by Noema.
A Metaverse Art Residency: ‘Garrett Lynch Yoshikaze “Up-in-the-air” Second Life Residency’, a paper published in Metaverse Creativity, Volume 2, Issue 2.
21/01/13 – 31/01/13, Permutation & Combination, a collaborative exhibition at Arcadecardiff, Cardiff, Wales.
I’m Garrett Lynch (IRL) performed as part of 44 Hours of Cornucopia Momentum by Bendix Freutel from the 28th – 30th May 2010 at Odyssey Art and Performance Simu in Second Life® and simultaneously broadcast in Switzerland at the Kunst-Fenster Reigoldswil (Reigoldswil Art Window).
The Art of Networks and Networks as Art presented / performed at Networks, 12th Annual Subtle Technologies Festival (promo video) Toronto, Canada.
Between Saying and Doing exhibited at “@”, Ars Virtua locations in RL (Southern California Institute of Architecture, Los Angeles, California, USA) and SL (Seventh Eye) and at Globalscreen – Simulations at numerous locations from February 2009 until 2010.
Between Saying and Doing exhibited at Devenir-écran (Becoming Screen), Le Vigan, France and Videophile Festival, Brighton, England.
CIII-Terminal (ed) (2008) Net Art : au-delà du navigateur… un monde d’objets (Net.art: beyond the browser to a world of things), pp 91-100, Terminal, Technologie de L’information, culture & société (Terminal, Information Technology, Culture & Society); Net Art, Technologie ou Création? (Net Art, Technology or Creation). Paris: Editions L’Harmattan.
Carnet Dabord, a short film made in collaboration with Frédérique Santune exhibited at the festival Traverse Vidéo: L’état du Monde, Toulouse, France and at Globalscreen, Visual Sound exhibition, Ljubljana, Slovenia
06:32:00 Recombined exhibited at Videoformes Festival international d’arts vidéo et multimedia, Clermont-Ferrand, France.
Google and Art: A commercial / cultural new media economy?, ISEA, Inter-Society for the Electronic Arts newsletter #99 February – March [online].
Net Art Review [online]. Various articles available from: http://www.netartreview.net/.
_pause p170-171, Jouable; Art, Jeu et Interactivité (Playable; Art Games and Interactivity), Haute école d’arts appliqués HES, Genève, École nationale supérieure des arts décoratifs, Paris, Ciren Université Paris 8, Centre pour l’image contemporaine, Saint-Gervais Genève (ISBN: 2839900181).
http://www.bannerart.org/, p186. Greene, R. Internet Art (World of Art Series), Thames and Hudson Ltd. (ISBN: 0500203768).
Participation in the New Forms Festival, Vancouver, Canada.
_pause exhibited at the Jouable; Art, Jeu et Interactivité (Playable; Art Games and Interactivity) 01 exhibition, Geneva, Switzerland (publication of the same name) and at the Reload exhibition, Istanbul Museum of Contempory Art.
Designer, programmer and joint-curator at http://www.bannerart.org/.
The irrepairable damage of self-realisation communicated to another exhibited online at the Digitalpocketgallery net.art exhibition.
Included on the Idealine, project commissioned by Whitney Artport.
Julies Journey exhibited at Videoformes Festival international d’arts vidéo et multimedia, Clermont Ferrand, France.
For those who fear intimacy / for those who fear loneliness exhibited at the Post-diplöme (Masters) Atelier de Recherche Interactive, Ecole Nationale Supérieure Arts Décoratifs (ENSAD), Paris, France, presented at Gallery Eof, Paris, France and exhibited online as part of A-virtual-memorial online exhibition.
Co-curation of E-Motion exhibition, Gallery St Eustache, Paris.
Artificial Architure, Experimental cd-rom on the Architectural work of Luc Boulais exhibited at the Ecole Nationale Travaux Public et Architecture (ENTPA), Lyon, France.
E-Cons, Social guides to digital life exhibited and distributed as pdf format through pdfheaven.com
Julies Journey exhibited at Beyond the Screen part of Isea 2000 at the Ecole Nationale des Beaux Arts, Paris.
Installation, Sound performance at the University of Central England (UCE), Margaret Street in Birmingham.
Margins, collective exhibition of work at Paperchase Covent Garden London.