The Distinction Between Here and There, Now and Then

The Distinction Between Here and There, Now and Then is a work about performance that occurred through the internet.

Author: Garrett
Type: Art
Indexed: November 9th, 2013
Keywords: 'real', 'virtual', collaborative, conceptual, email, identity, installation, network, performance, photography, portrait, process, representation, site-specific, story

Liminalities 10.1

Liminalities 10.1

The journal of performance studies, Liminalities issue 10.1, is a special issue compiled from the outcomes of the international conference Remote Encounters: Connecting Bodies, Collapsing Spaces and Temporal Ubiquity in Networked Performance.

Author: Garrett
Type: Curating, Research
Indexed: May 14th, 2014
Keywords: 'real', 'virtual', body, collaborative, dance, experimental, identity, mixed-reality, movement, network, performance, place, process, representation, site-specific, space, streaming, system, telepresence, time, wireless

This is Real Virtuality

This is Real Virtuality

This is Real Virtuality – A first person narrative in weblog form recounts the experiences of an individual noticing colliding virtu/re-alities.

Author: Garrett
Type: Art
Indexed: October 17th, 2013
Keywords: 'real', 'virtual', collection, conceptual, mixed-reality, network, online, story, web
Remote Encounters: a report about networking practitioners

A short(ish) article on the Remote Encounters conference and Liminalities journal special issue titled Remote Encounters: a report about networking practitioners has been published on Digicult.it.

Garrett @ July 11th, 2014
Liminalities 10.1 now online

The journal of performance studies, Liminalities issue 10.1, a special issue guest edited by Garrett Lynch (University of South Wales) and Rea Dennis (Deakin University), is now online. The contributions to this issue have been compiled from the outcomes of the international conference Remote Encounters: Connecting Bodies, Collapsing Spaces and Temporal Ubiquity in Networked Performance held at the University of South Wales on the 11th and 12th of April 2013. The conference brought together artists and scholars with a joint interest in using networks as a means to enhance or create a wide variety of performance arts. The direct url to the issue is below, please do forward to your networks/colleagues etc.

Liminalities issue 10.1 – http://liminalities.net/10-1/

Garrett @ May 14th, 2014
Netscapes exhibited as part of A-EYE

Netscapes will be exhibited within the exhibition A-EYE: An exhibition of art and nature­-inspired computation as part of the Artificial Intelligence and the Simulation of Behaviour (AISB) 50th annual convention at Goldsmiths, University of London from the 01-04/04/14.

Garrett @ March 26th, 2014
The Augmented Plateau: 10/04/14 – 30/04/14

A group show I’m part of opens Thursday April 10th (10/04/14) in Sweden. The Augmented Plateau: Art and Virtual Worlds in HUMlab 2007-2013, is a seven year overview of all artistic residencies and contributions to the HUMlab Yoshikaze Second Life space. The show is curated by Sachiko Hayashi, features works by:

Alpha Auer, Avatar Orchestra Metaverse, Fau Ferdinand, Garrett Lynch, Katerina Karoussos, Pyewacket Kazyanenko, SaveMe Oh, Selavy Oh, Oberon Onmura, Maya Paris, Kristine Schomaker, Goodwind Seiling, Alan Sondheim, Eupalinos Ugajin, Juria Yoshikawa.

and contributions by:
Marx Catteneo, Jo Ellsmere, Mab MacMoragh, Steve Millar and Evo Szuyuan.

10th April Р30th April 2014 @ HUMlabX, the Arts Campus at Umeå University, Sweden
Opening Hours: Monday – Friday, Noon – 4pm
(18th, 19th, 20th and 21st April Closed)

For more details see the Yoshikaze weblog here.

Garrett @ February 14th, 2014
Digital Futures at the V&A

I will be showcasing some recent work related to 3D worlds and streaming webcams next Tuesday the 30th of April at the V&A. London, as part of Digital Futures. If your in london come along.

Details:
Digital Futures
Tuesday 30 April, 11.00 – 16.00
Sackler Centre, V&A, Free, Drop-in

Garrett @ April 27th, 2013
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